The BBFC are currently in the process of consulting with the public about film classification guidelines in order to review those previously published in 2014 and issue new guidelines in early 2019. In his keynote address at the annual 'How safe are our children?' NSPCC conference last week, BBFC director David Austin shared some initial results of the current consultation and suggested that the revised guidelines would likely become stricter in order to reflect the increased increased public concern about scenes of rape and sexual violence. We are seeking short (1000-2000 word) articles, interviews, discussions, video essays or other content that address the politics of sexual violence as it relates to the screen and screen cultures in the current climate.
Publication announcement for new article - Sexual Violence in Serial Form: Breaking Bad Habits on TV by Stuart Joy
by Isaac Gustafsson Wood, University of Southampton, UK ‘Rape. Rape. Rape. That’s a rape. This is what raping people is. You’re a raper. You’ve raped me. That’s a rape’, Dale (Charlie Day) screams as he is shown pictures of his limp and unconscious nude body entangled in sexually suggestive positions with his boss Julia (Jennifer Aniston). With a shocked face, Dale finds the words to express his feelings, getting louder and more confident in his ability to recognise what has happened to him as rape. Despite his certainty that he has been raped, Dale is continually undermined by his friends as they refuse to see a problem simply because Julia is sexually attractive. Rape in the comedy Horrible Bosses (2011) is portrayed as a contentious subject to be debated among the characters; who decides what rape is, is up for grabs.
by Melissa Hair, Northumbria University, UK. The Diary of a Teenage Girl opens with a triumphant confession from 15-year-old protagonist Minnie (Bel Powley). ‘I had sex today, holy shit!’