Coming hot on the heels of the growing #MeToo campaign and the Hollywood sexual harassment revelations, Three Billboards Outside Ebbing, Missouri (Martin McDonagh 2017) was the first star-studded Oscar vehicle featuring a rape-revenge narrative template to be judged according to the changed media standards. As Kevin Spacey was written out of a film expected to bring him an Oscar nomination, students were calling for Woody Allen to be removed from film studies curricula and Molly Ringwald was questioning the sexual politics of her own cult hits, Three Billboards seemed about to face unusual scrutiny of its storyline of rape and murder. While many critics pointed to the brilliant performances, especially by Frances McDormand as the victim’s mother, and the strength and determination of her character, little attention was paid to the images of the brutal crime: there were almost none. As a film that centres around the rape and murder of a young woman, Three Billboards is highly unusual in mainstream filmmaking in containing no imagery of the fatal episode itself. A glimpse of the corpse in the police file is the only visual reference to her death.