by Donna Peberdy, Southampton Solent University, UK. Based on a 2005 ‘sound play’, Anomalisa (Charlie Kaufman and Duke Johnson 2015) is a stop motion puppet animation about a British self-help author who specialises in customer services yet struggles to make meaningful connections with other people. Inspired by a disorder called the Fregoli delusion, Michael (voiced by David Thewlis) sees everyone he meets as the same person (all voiced by Tom Noonan), which compounds his banal daily existence. At a conference, he meets Lisa (voiced by Jennifer Jason Leigh) and is immediately captivated by her physical and vocal differentness. In a world where everyone looks and sounds the same, Lisa is an anomaly: Anomalisa. Michael treats Lisa and her friend to some drinks before Michael and Lisa go back to Michael’s hotel room for a nightcap. Lisa reveals she has very low self-esteem and that it has been eight years since she was last intimate with someone, before Michael begins to kiss her and they have sex.
by Gary Needham, University of Liverpool, UK The 1974 film Born to Raise Hell was described by gay porn pioneer Fred Halstead as the best SM film he had ever seen and, more recently, by its current distributor as ‘the standard, the ultimate classic BDSM movie that all gay BDSM films are judged’. Rarely seen since the 1970s, the film was largely undocumented with the exception of Jack Fritscher’s interview with the film’s director Roger Earl in 1997 and has only recently seen the light of day.  My own interest in the film is around gay sexual cultures of the 1970s and the contiguous formal and political relations in representations of gay SM. This is also an attention to formal and sexual relations and the question of how sex is edited and, in turn, what (now) also gets ‘edited out’ through various cultural, political and legal policing in both representation and discourse. I want to claim Born to Raise Hell as an instance in which one can reassert the outlaw politics of homosexuality vis-à-vis contemporary queer theory, which, Tim Dean suggests, has become one of ‘institutional respectability by strategically distancing itself from the messiness of the erotic’.  Politically, we need to reassert the erotic in queer studies if it is to have any meaning for our actually lived lives. Recovering Born to Raise Hell from the 1970s seems to me a useful place to start ‘thinking sex’ again.
by Connor Winterton, University of Birmingham, UK. This article will briefly explore what the term ‘queer sex’ can mean, providing one example from a neo-queer film and the other from a more heterocentric film.
by Melissa Hair, Northumbria University, UK. The Diary of a Teenage Girl opens with a triumphant confession from 15-year-old protagonist Minnie (Bel Powley). ‘I had sex today, holy shit!’