by Katie Barnett, University of Worcester, UK. John Cameron Mitchell’s Rabbit Hole (2010), an adaptation of David Lindsay Abaire’s 2006 stage play, deals with the aftermath of a family tragedy as Becca and Howie Corbett (Nicole Kidman and Aaron Eckhart) struggle to come to terms with the death of their four-year-old son Danny. Almost immediately, it becomes clear that Becca and Howie are dealing with their grief in very different ways. They circle around each other in their large, empty house. As Howie endlessly tries to remember Danny, watching old videos on his phone, Becca desperately tries to forget, stripping his drawings from the refrigerator. Their grief separates and isolates them. This emotional estrangement extends to a physical estrangement that makes Becca flinch whenever Howie touches her.
review by Martin Fradley, University of Brighton. In their introduction to Beyond Speech, Hilkje Charlotte Hänel and Mari Mikkola state that this new collection of essays has two core aims: firstly, to take stock of extant feminist debates on pornography and, secondly, to ‘examine some newer lines of inquiry and investigate what they can tell us about still-unsettled conceptual and political questions’ (11). The ‘speech’ of the book’s title refers to Catherine MacKinnon’s (1987) famous legal argument that pornography should be understood as a series of violent ‘speech acts’, which ultimately serve to silence, subordinate and harm all women. Tellingly, the writers here almost all begin with the premise that pornography can be ‘harmful’, and Beyond Speech contains a dozen original essays that subsequently defend, challenge and re-evaluate some of the most important feminist interventions in what was once (rather quaintly) referred to as ‘the pornography debate’.
by Ellen Wright of De Montfort University, Leicester, UK. Model Bettie Page and filmmaker/photographers Irving and Paula Klaw have left a curious cultural legacy. Their work together, between 1952 and 1957, often filmed in a studio above the Klaw’s photo and bookshop, resulted in a catalogue of pin-up and fetish photographs, a clutch of burlesque revue B-movies and a number of short, silent 8mm and 16mm, mail order fetish ‘specialty’ films, intended for home exhibition. In these films Page, clad in lingerie, stockings and vertiginously high heels, would enact requested fetish and BDSM scenarios, either alone or with other young women.
Interview - Lynn Comella, author of Vibrator Nation
Review of Lynn Comella’s Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure. Duke University Press. September 2017 (HB £79.00 and PB £20.99). 296 pages. 41 illustrations. review by Caroline West, Dublin City University.
Review of Aaron Kerner and Jonathan L. Knapp’s Extreme Cinema: Affective Strategies in Transnational Media. Edinburgh University Press. June 2016 (Hardback). August 2017 (Paperback). 192 pages. review by Marc Démont, University of South Carolina.
Author: Darshana Mini. Journal: Bioscope: South Asian Screen Studies 7(2). December. 2016, 127-150.