Two years ago, writing in celebration of the film’s tenth anniversary, Vice critic Sirin Kale identified Teeth (Mitchell Lichtenstein 2007) as ‘an incisor-sharp commentary on male entitlement, consent, and sexual violence’. Yet just as the title of her article refers to Teeth as a ‘Feminist Horror Classic’, it is curious that Kale does not define the film in direct relation to feminism. This is not to say that issues of male entitlement, consent and sexual violence are not feminist concerns. Rather, Kale implies how Teeth critiques masculinity through these concerns, without politicising it in a feminist context.
review by Martin Fradley, University of Brighton, UK.
by Carol Siegel, Washington State University Vancouver, US.
If one is a feminist, or even sympathetic to the idea that women aren't inferior to men, there is a lot to be outraged by in the Fifty Shades franchise. But I write this negative response to Fifty Shades Darker (James Foley 2017) neither in anger nor sadness, but in disappointment because the film was so boring.
CFP: Special Edition of Mai: Journal of Feminism and Visual Culture – ‘Feminist and Queer Perspectives on Sex in Contemporary Film and TV’. Please email abstracts to: Connor.Winterton@mail.bcu.ac.uk (guest editor).