Review of Gay Pornography: Representations of Sexuality and Masculinity by John Mercer. I. B. Tauris. 2017. Review by Brandon Arroyo, Concordia University, Canada. The title of John Mercer’s book certainly intends to make an impression. With an assertive, commanding, and all-encompassing title like Gay Pornography, one eagerly wonders if this might be the contemporary sequel to Thomas Waugh’s foundational Hard to Imagine (1996). However, Mercer’s aims are far more modest - yet no less essential - than Waugh’s. I bring this up to suggest that the over-reaching title ultimately overshadows the sensible and focused line of thought maintained throughout. A more accurate title might have been: Gay Pornography’s Keywords, because of its success in articulating a vocabulary describing the role of gay pornographic culture within masculinist society. This is the book’s primary contribution: to provide readers with a unifying discursive framework through which to understand gay pornography’s contemporary mediascape. Mercer’s keywords are the linguistic tools essential to producing dynamic pornographic studies in the future.
by Lynn Comella, University of Nevada, Las Vegas, US. Susie Bright was not yet the nationally known author and trailblazer Susie Sexpert when she walked through the doors of Good Vibrations for the first time in 1980. She was 22 years old and lived around the corner from the store at Twentieth and Valencia Streets. Bright remembers that initial visit vividly. Honey Lee Cottrell, who would later become Bright’s lover and collaborator, was working behind the counter. Cottrell, a butch lesbian with prematurely greying hair, was opening envelopes that contained a single quarter – the amount that the store’s founder, Joani Blank, was charging at the time for an itemised list of vibrators that doubled as the company’s mail-order catalogue. Bright watched curiously as Cottrell opened the envelopes and stacked the quarters, one on top of the other, next to the cash register. ‘Why don’t you just put them in the register?’ she finally asked. ‘We don’t know how to record it’, Cottrell replied. ‘It’s not a sale and no one can figure out what it is, so we just pile them up on the side and Joani says she will deal with it later’.
CFP: Special Edition of Mai: Journal of Feminism and Visual Culture – ‘Feminist and Queer Perspectives on Sex in Contemporary Film and TV’. Please email abstracts to: Connor.Winterton@mail.bcu.ac.uk (guest editor).