Telling Stories: Annabel Chong, Instrumentality and Exploitation

by Caroline West, Dublin City University, Ireland. Sex: The Annabel Chong Story (Gough Lewis 1999) is a documentary based on a porn film starring Annabel Chong, a woman catapulted to infamy through porn. Chong, whose real name is Grace Quek, is a 22-year-old Singaporean woman who partook in a gangbang, billed as The World's Biggest Gangbang, in having sex with 251 men over ten hours. The film follows Chong as she discusses her motivations for taking part in the film, the buildup and promotion of the event, and the fallout.

Reflections on Living With Porn(ography)

by Ruth Beresford, University of Sheffield, UK. Pornography is something that we all need to talk about. Whether you like it or not, whether you use it or not, pornography has significant social, political and legal implications for us all. New technologies and the internet are constantly changing the pornographic landscape, making the sexually explicit more accessible, available and presented as more diverse than ever before. My own research concerns women’s lived experiences of pornography. It investigates the ways in which women experience, perceive and feel about pornography. I have recently launched the Living With Porn(ography) Project in order to develop an understanding of the ways in which one can experience pornography. Together with a group of women, the project is designed to examine what it means for our lives whether as a user, performer or someone just navigating it within society.

Editing (Out) Queer Sex: Born to Raise Hell (1974)

by Gary Needham, University of Liverpool, UK The 1974 film Born to Raise Hell was described by gay porn pioneer Fred Halstead as the best SM film he had ever seen and, more recently, by its current distributor as ‘the standard, the ultimate classic BDSM movie that all gay BDSM films are judged’. Rarely seen since the 1970s, the film was largely undocumented with the exception of Jack Fritscher’s interview with the film’s director Roger Earl in 1997 and has only recently seen the light of day. [1] My own interest in the film is around gay sexual cultures of the 1970s and the contiguous formal and political relations in representations of gay SM. This is also an attention to formal and sexual relations and the question of how sex is edited and, in turn, what (now) also gets ‘edited out’ through various cultural, political and legal policing in both representation and discourse. I want to claim Born to Raise Hell as an instance in which one can reassert the outlaw politics of homosexuality vis-à-vis contemporary queer theory, which, Tim Dean suggests, has become one of ‘institutional respectability by strategically distancing itself from the messiness of the erotic’. [2] Politically, we need to reassert the erotic in queer studies if it is to have any meaning for our actually lived lives. Recovering Born to Raise Hell from the 1970s seems to me a useful place to start ‘thinking sex’ again.

This Ain’t Jaws XXX (2012) and Porn Parody

by I.Q. Hunter, De Montfort University, UK. On the face of it, Jaws (1975) seems an unlikely candidate for the porn treatment. Spielberg’s film is entirely male-centred - so I guess a gay version with three-way romps on the Orca might make sense – but the characters’ motivations have no obvious erotic component or indeed reference, aside from Quint calling out ‘Stop playing with yourself, Hooper’ to the lounging ichthyologist. Sex as a theme is not there to be exploited as with, say, A Clockwork Orgy (1995), the porn version of A Clockwork Orange (1971), which feeds off the obsession with sex, power and breasts that drives the narrative of the original. And the piscine motif of Jaws doesn’t immediately suggest the erotic, unless one considers the ‘eels for pleasure’ section of the Animal Farm (1981) bestiality compilation video that did the rounds in Britain in the 1980s, or urban myths involving Led Zeppelin, a groupie and a shark. That said, it is doubtless true that any film can be ‘pornified’ insofar as narrative gaps in the original can be filled with sex scenes, and the characters’ motivations refocused on seeking opportunities for them.