Review of Real Sex Films: The New Intimacy and Risk in Cinema by John Tulloch and Belinda Middleweek. Oxford University Press. 2017. Review by Connor Winterton, Birmingham City University, UK.
Review of Female-Perpetrated Sex Abuse: Knowledge, Power, and the Cultural Conditions of Victimhood by Sherianne Kramer. Routledge. 2017. Review by Isaac Gustafsson Wood, University of Southampton, UK.
Review of Affective Sexual Pedagogies in Film and Television by Kyra Clarke. Routledge. 2017. (HB/eBook). 248pp. Review by Madita Oeming, University of Paderborn, Germany.
Review of Lewd Looks: American Sexploitation Cinema in the 1960s by Elena Gorfinkel. University of Minnesota Press. 2017. [HB/PB]. 320pp. Review by Darshana Sreedhar Mini, University of Southern California, USA.
Review of Women, Monstrosity and Horror Film: Gynaehorror by Erin Harrington. Routledge. 2016. [HB/eBook]. 288pp.
Review by Sarah Arnold, Maynooth University, Ireland.
Review of Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema by David Church. Bloomsbury. 2016. (HB, PB, eBook). 296pp.
Review by Desirae Embree, Texas A&M University, US.
Review of Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor. Edinburgh University Press, 2017. Review by Alice Haylett Bryan, King's College London, UK.
Review of Gay Pornography: Representations of Sexuality and Masculinity by John Mercer. I. B. Tauris. 2017. Review by Brandon Arroyo, Concordia University, Canada.
review by Martin Fradley, University of Brighton, UK.
Review of Lynn Comella’s Vibrator Nation: How Feminist Sex-Toy Stores Changed the Business of Pleasure. Duke University Press. September 2017 (HB £79.00 and PB £20.99). 296 pages. 41 illustrations.
Review by Caroline West, Dublin City University.