Review of Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema by Alison Taylor. Edinburgh University Press, 2017. Review by Alice Haylett Bryan, King's College London, UK. So often European extreme cinema is spoken about in terms of shock, spectacle and provocation that we forget that the narratives of many of these films are grounded in the everyday, and even the banal. In her book Troubled Everyday, Alison Taylor addresses this oversight, carrying out a formal analysis of a range of films such as Michael (Markus Schleinzer and Kathrin Resetarits 2011), Twentynine Palms (Bruno Dumont 2003) and I Stand Alone/Seul contre tous (Gaspar Noé 1998) in order to reframe the extreme through its relationship with the quotidian. Taylor argues that it is the tension between extremity and the ordinary that gives these films their affective power, a tension that refuses clear-cut meaning and hermeneutic closure, and spills out beyond the screen as part of their intrusive viewing experience.
Review of Aaron Kerner and Jonathan L. Knapp’s Extreme Cinema: Affective Strategies in Transnational Media. Edinburgh University Press. June 2016 (Hardback). August 2017 (Paperback). 192 pages. review by Marc Démont, University of South Carolina.