Why Screening Sexual Violence?

What role do film and television have in how we understand and make sense of sexual violence? How do film and television contribute to or challenge prevailing myths around sexual violence? What does it mean to screen sexual violence? This week, I had the opportunity to attend an event that sums up for me why screening sexual violence matters.

Telling Stories: Annabel Chong, Instrumentality and Exploitation

by Caroline West, Dublin City University, Ireland. Sex: The Annabel Chong Story (Gough Lewis 1999) is a documentary based on a porn film starring Annabel Chong, a woman catapulted to infamy through porn. Chong, whose real name is Grace Quek, is a 22-year-old Singaporean woman who partook in a gangbang, billed as The World's Biggest Gangbang, in having sex with 251 men over ten hours. The film follows Chong as she discusses her motivations for taking part in the film, the buildup and promotion of the event, and the fallout.

Learning to Play

by Susanna Paasonen, University of Turku, Finland.

In a scene from Jan Soldat’s 2016 documentary film, Coming of Age, a senior male couple recount the beginning of their relationship as a fisting date. Horst is sitting topless on a sofa and Kalle, dressed in a plastic bib and diaper, sits in a playpen hugging a teddy bear with a markedly pensive expression.